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The film's attention to style over substance gets to be repetitious, if not monotonous after a while, with a kiddy superficiality that betrays potential and makes it difficult to deny the other attributes which hold this effort back. Pacing sometimes gets to be too brisk for comfort, joining overtly fluffy energy in a sense of frantic hurrying, intensified by the blatant skimming of such elements as extensive exposition that leave the final product to feel rather undercooked, with about as much interest in colorful set pieces as anything. Kirk DeMicco's and Chris Sanders's often intentionally inaccurate script is often a little too over-the-top for you to run with this mythology, even within humor and set pieces that are often too cheesy for their own good, sometimes to an obnoxious degree. This story concept is pretty thin, with hardly any depth, and it's the natural limitations which result from this thinness which undercut the final product about as much as anything, with matters being made all the worse by conventions, as well as other writing issues. There's even limited creativity to potentially unique animations, and when it comes to the creativity of this narrative, the limitations are even greater, resulting in a wave of tropes that exacerbate a certain blandness which is prominent enough through the natural shortcomings of this formulaic story. Shoot, it's reminding me of a little too much, because as much as I like this film, it's not exactly original.
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Hey, maybe the reviews are as good as they are because Cage hasn't had a critical hit since the prehistoric era, and this film reminds critics of that time. Seriously, I hate to continue my "crude" puns, but the Grug Crood character really does look like a slightly crude interpretation of Cage, and the filmmakers probably would have gone all-out with modeling the design after Cage if it wasn't for that distinct likelihood that they would be risking good reviews by having critics actually see Cage. Even this film's cast is rich with shameless self-awareness, because you know that they just got Emma Stone for her own last name, and got Nicolas Cage because he actually looks like a caveman in real life. Man, I can't believe that I just wasted two sentences meandering around a pun, but hey, I'm not the only one doing it, because Rotten Tomatoes crowbars in "evolved" into its consensus, and even informally precedes the word with an "ahem" in parentheses so that you know that it's on purpose.
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I mean, this film is so crude that it even handles the spelling of the word "crude" croodly-I mean, crudely, although, in all fairness, this film is set in a time where they didn't have spelling. My word, now, there's been a lot of controversy about modern entertainment's crude interpretation of the family unit, but I never thought that it would get to where subject matter this offensive was put into children's films.